Call of Duty®: Black Ops 2 introduces players to an insidious villain named Raul Menendez who hijacks the US military infrastructure to further his own agenda. Harness the power of near-future technology and advanced Robotics to pull the world back from the brink of annihilation. Call of Duty®: Black Ops 2 catapults players to the year 2025 to confront an insidious criminal mastermind namedRaul Menendez who has stolen the keys to the U.S. military infrastructure and turned our greatest strengths against us. Engage in classified operations that harness the power of future-tech weapons and advanced robotics to pull the world’s superpowers back from the brink of annihilation. Treyarch Studio Head Mark Lamia and the Call of Duty®: Black Ops 2 development team discuss their motivations heading into this exciting entry in the Call of Duty franchise. Learn about weapons & technology, the campaign, graphics, multi-player and the return of Black Ops zombies To create a game like Call of Duty®: Black Ops 2, Treyarch assembled some of the greatest talents in the world. David S. Goyer (co-writer of The Dark Knight Rises), Trent Reznor (Academy Award-winning composer of The Social Network), join Studio Head, Mark Lamia and the game’s Director, Dave Anthony, to discuss the relationship between movies, music and games, as well as the creative process behind Call of Duty®: Black Ops 2.
21-11-2012......Release Date <-> Protection...........Ubisoft DRM Action.............Game Type <-> Disk(s).................1 BLURAY RELEASE NOTES The American Colonies, 1775. It's a time of civil unrest and political upheaval in the Americas. As a Native American assassin fights to protect his land and his people, he will ignite the flames of a young nation's revolution. Assassin's Creed III takes you back to the American Revolutionary War, but not the one you've read about in history books. Features: As a Native American assassin, eliminate your enemies with guns, bows, tomahawks, and more! From bustling city streets to chaotic battlefields, play a critical role in the most legendary events of the American Revolution including the Battle of Bunker Hill and Great Fire of New York. Experience the truth behind the most gruesome war in history: the American Revolution. Introducing the Ubisoft-AnvilNext game engine, stunning new technology that will revolutionize gaming with powerful graphics, lifelike animations, immersive combat, and advanced physics.
1. Unpack the release
2. Mount or burn image
3. Install
4. Copy everything from the SKIDROW folder into the game installation
5. Make sure all Game and Ubisoft Launcher processes are blocked in
firewall
6. Play the game
7. Support the companies, which software you actually enjoy!
Need for Speed: Carbon, also known as NFS Carbon or NFSC, is an Electronic Arts video game belonging to the Need for Speed series. Released in 2006, it is the tenth installment, preceded by Need for Speed: Most Wanted, succeeded by Need for Speed: ProStreet in release order and succeeded by Need for Speed: Undercover in chronological order. This was the first game to gain the PEGI Rating of 12+[citation needed] The game is a sequel to 2005's Need for Speed: Most Wanted. The locations of both Most Wanted and Carbon (Rockport and Palmont, respectively) are featured in the 2010 MMO game, Need for Speed: World. EA's seminal racing series has revved its way to the PSP once again with Need for Speed Carbon: Own the City. For the first time, the series hits Sony's portable system with a truly open city to cruise around and race in. Toss in crew members that act as your wingmen during races, some new race types and a bit of spice here and there and you have what sounds like the makings of an all-new experience. However, Own the City doesn't feel all that new. In fact, it feels like the exact same game of Need for Speed that we've been playing for a few years with a couple new, and mostly minor, features added in. The series' physics system hasn't changed much in a long time, and it's yet again remained the same in Own the City. Cars feel both agile and loose at the same time with a very arcade-heavy tilt towards the controls. The biggest issue here is that individual cars still don't feel all that different. Of course, they vary in speed, acceleration and handling, but one car that's been modded to have the same stats as another will pretty much feel exactly the same. All this means is that it feels like you're driving stats rather than cars. The reason we think EA hasn't messed with this design is that it indeed can be fun to fly down highways at insane speeds and quickly wind around slow turns. It's not that the driving mechanics are broken in any way - they're quite responsive, quick and fairly well refined - but the formula hasn't changed in forever, and there really should have been more variance by now. The track design is, once again, classic Need for Speed architecture. Roads are generally extremely wide and twist and turn slowly, allowing you to floor the pedal throughout most races. There are of course some back alleys and such that'll require that you tap on the brakes here and there, but for the most part it's the same wide-open, and frankly boring, track design we've seen for years. The game's story is focused around the death of your brother, the leader of a racing crew called the Lucky 7s. After his mysterious death, other crews took over the various districts of the city, so it's up to you to take these areas back in order to find out what happened to your brother. This setup sounds somewhat different than what we saw in last year's Most Wanted and its wanted list of racers, but in practice it's almost exactly the same. You have to take over each district in a pre-designated order, and complete a number of smaller races in order to convince the leader to race you. So really, it's exactly the same cake as last year, but with differently colored icing.
Own the City's open world works quite well in a strictly technical manner, never hitching to load an area and running smoothly at most every turn. But while it works, that doesn't mean it's fun. There's barely any traffic at all in the game, almost to the point that when you see a car it's a common thought to think, "Oh yeah, there's traffic in this game." As well, there really isn't much to see. The surrounding city isn't all that exciting, and while you can search out hidden crates and such, it just feels tedious to do so. It's much better to simply pause the game and choose your next race from the menu. In this way, the open city doesn't actually hurt the game any, but it feels pointless when you'll always just skip to the menu to progress.
Processor: Intel Pentium 4 CPU running at 1.7GHz or higher RAM:512MB Video Memory: 64 MB Only supplied on DVD? Yes But I Give You on the 'u torrent' Hard Drive Space:5.3 GBOperating System:Windows XP Service Pack 2 (32Bit Edition only), Windows 7 DirectX Version: 9.0
Set in a desolate, post-apocalyptic Cybertron, the game thrusts players straight into an epic TRANSFORMERS story as seen through the eyes of both the AUTOBOTS and DECEPTICONS. From the Iacon Wasteland to The Sea of Rust, explore the devastated ruins of Cybertron and play through the final, darkest hours of the war.
Characters convert from robot to alternate mode to defeat their enemies. GRIMLOCK can change into his powerful T-Rex Dinobot form for super strength and fire-breathing attack, and the COMBATICONS can combine into the massive BRUTICUS to dominate his enemies with this sheer size and power.
Every character is equipped with distinct abilities and personalities that are suited for each of the diverse missions in the game. CLIFFJUMPER can cloak himself invisible to unleash undetected stealth kills on his enemies. OPTIMUS PRIME can call in targeted artillery strikes from the sky.
The most robust character creator ever seen in a TRANSFORMERS game allows fans to design personalised characters from scratch by choosing their individual body parts, colours, vehicle shapes, weapons, abilities and more. Gamers can then take them online to go head-to-head in brutal AUTOBOT vs. DECEPTICON matches to prove their supremacy.
In the post-apocalyptic action/adventure I Am Alive, players are faced with thought-provoking choices in the role of a survivor on a journey to find his wife and daughter, who were lost during the “Event.” Arriving at his hometown of Haventon one year after it happened, he finds the town in shambles. Buildings are destroyed, toxic ash fills the streets, and society has been torn, causing inhabitants to take all necessary actions to survive. In I Am Alive, players will be challenged by both their environment and their enemies. Stamina and resource management are key when being exposed to deadly atmospheres and scaling enormous buildings in search of supplies. The unique combat system requires players to utilize intimidation: cowards are easily swayed with an empty gun, while other enemies will put players to the test. Features: More ways to experience survival. The new “Easy” mode provides infinite retries and a slightly softer, more forgiving introduction to I Am Alive. With the Replay mode, go back and replay any level any time to uncover more secrets, alternate path, and hidden resources. Explore the dark, atmospheric post-apocalyptic world in higher resolutions and sharper graphics than ever, with fully customizable graphics settings. Fully configurable mouse, keyboard and game pad support to play the way you like.
Disney has an interesting relationship with the games industries. Whenever a movie is made in to a game my usual reaction is; was this done for the money or to make a great game? Undoubtedly Disney wanted to cash in on their major release of 1993 which is understandable. So how did it turn out? Well, not so bad. As much as I want to not like an obvious cash camel when I see one, I did end up concluding that Aladdin really is not at all a bad game. It is aimed at the younger player so don’t expect too much in the way of challenge but there is a nice feel to the way the levels require you to pay attention to certain jumps or ropes to climb.This being a Disney game I was looking for great animation and I’m pleased to say it’s here. Aladdin looks bright and the animation fluid. The supporting cast of stereotypical bad guys also retain the look of the film. The games sound is also great. We all know about the Sega Mega Drives relatively basic sound processor but I feel that the renditions of songs were recognizable and about the limit of what you could expect of the hardware. The game itself is very much based on the film. The setting, characters etc. all make up the story. There seems to be a lot of apple stealing as well as slashing bad guys. It’s repetitive but it does look nice. I can recommend this one on the basis of a movie/game tie in that works well. In terms of retro quality the platforming is certainly there. It’s just not a patch on Sonic the Hedgehog though.
